Friday, July 03, 2009

42 Days of 42: Day 1 - Forty-Two Words for Forty-Two

In honor of my forty-second birthday, I will attempt to post for the next forty-two days, forty-two poems. These poems will have something to do with the number 42. I don't promise anything great, but if you like what you see, please stoke my ego and leave a comment.

Today begins the experiment.

If you're curious, you can see how I celebrated 41 on BillyBlog here.

And forty, here.

And away we go....

FORTY-TWO WORDS FOR FORTY-TWO

Twenty-one was
half a lifetime ago.
What will my life be like
at eighty-four?

The thought
harasses me
silently.

Birthdays
are like poems.
Great ones
are memorable.
But most are not.

Forty-two words
are two too few
and,
two too many,
too.

Thursday, July 02, 2009

BillyBlog Plays 52-Card Pick Up: The Ten of Diamonds

I found this card on 31st Street in Manhattan, between 6th and 7th Avenues, on the morning of June 1st. It only took me a month to post it.



The following cards have been found previously:

The Five of Spades (June 18, 2009)

The Eight of Spades (January 6, 2009)

The Eight of Diamonds (December 5, 2008)

The Two of Hearts and the Queen of Spades (November 1, 2008)

The King of Spades (October 26, 2008)

The Ace of Spades (September 22, 2008)

The Jack of Diamonds (September 18, 2008)

The Six of Hearts, Queen of Hearts, and Eight of Clubs (August 10, 2008)

The Six of Clubs (July 21, 2008)

The Seven of Hearts and The King of Diamonds (April 24, 2008)

The Three of Clubs (March 29, 2008)

The King of Hearts
and the Three of Spades
(February 28 and March 25, 2008)

The Ace of Diamonds (July 7, 2008)

The Jack of Hearts and Five of Hearts (July 19, 2008)

View the whole set here.

And here's the scorecard with the latest additions:

Hearts: 2, 3, 4, 5, 6, 7, 8, 9, 10, J, Q, K, Ace
Diamonds: 2, 3, 4, 5, 6, 7, 8, 9, 10, J, Q, K, Ace
Clubs: 2, 3, 4, 5, 6, 7, 8, 9, 10, J, Q, K, Ace
Spades: 2, 3, 4, 5, 6, 7, 8, 9, 10, J, Q, K, Ace

Wednesday, July 01, 2009

BillyBlog, R.I.P?

I just noticed that I posted a whopping singular time in June. How sad.

As one might expect, Tattoosday has been my primary focus, although the importance of BillyBlog as a cultural bastion of useless information cannot be denied.

But here it is July.

And I have some living up to do.

Forty posts on my fortieth birthday in 2007.

Forty-one posts of forty-one consecutive days (and beyond) of riding my bike in 2008.

What of this July 3, when I turn 42?

Alas, I have an idea, but it is not nearly as ambitious as 2008, but is moreso than 2007. My only concern is whether I will be able to rise to the occasion.

Stay tuned and see.....

Thursday, June 18, 2009

BillyBlog Plays 52-Card Pick-Up: The Five of Spades

It has certainly been a while since I've found any cards, so it made sense that a return to my bike on May 24 allowed me to find the following card on the 65th Street Pier in Bay Ridge:



The following cards have been found previously:

The Eight of Spades (January 6, 2009)

The Eight of Diamonds (December 5, 2008)

The Two of Hearts and the Queen of Spades (November 1, 2008)

The King of Spades (October 26, 2008)

The Ace of Spades (September 22, 2008)

The Jack of Diamonds (September 18, 2008)

The Six of Hearts, Queen of Hearts, and Eight of Clubs (August 10, 2008)

The Six of Clubs (July 21, 2008)

The Seven of Hearts and The King of Diamonds (April 24, 2008)

The Three of Clubs (March 29, 2008)

The King of Hearts
and the Three of Spades
(February 28 and March 25, 2008)

The Ace of Diamonds (July 7, 2008)

The Jack of Hearts and Five of Hearts (July 19, 2008)

View the whole set here.

And here's the scorecard with the latest additions:

Hearts: 2, 3, 4, 5, 6, 7, 8, 9, 10, J, Q, K, Ace
Diamonds: 2, 3, 4, 5, 6, 7, 8, 9, 10, J, Q, K, Ace
Clubs: 2, 3, 4, 5, 6, 7, 8, 9, 10, J, Q, K, Ace
Spades: 2, 3, 4, 5, 6, 7, 8, 9, 10, J, Q, K, Ace

Monday, May 11, 2009

Train of Thought - Henri Poincare


"To doubt everything or to believe everything are two equally
convenient solutions; both dispense with the need for thought."

Henri Poincare (1854-1912) "Science and Hypothesis"

First spotted on the B16 bus, 86th Street, Brooklyn, May 11, 2009


Saturday, May 09, 2009

Craig Arnold, 1967-2009

I'm numb today after learning that the poet Craig Arnold, whose poem was featured last month on BillyBlog here, died just a few days after my posts, just a few days after we chatted via instant message on Facebook.

I certainly did not have the level of interaction with him that many of the other people in his life, I had only really known him for a short time. But his interest and eagerness to participate in the Tattooed Poets Project brought me closer to him, I can only imagine that the sadness I feel is intensified a hundred-fold by the people that really knew him. And I am torn:

I envy their memories of Craig, their experiences with him, all the wonderful recollections of good times, yet I am saddened not just by the loss of Craig, but the heartbreak I feel oozing through the various portals of the internet.

I contacted many poets in the months leading up to April. Some were too busy to respond, or just said "thanks, but no thanks". But Craig, in my book, someone with a great excuse not to help a fellow writer out, came through despite being halfway across the planet, working on what he loved until the very end.

My thoughts and prayers go out to Craig Arnold's friends and family.

I feel blessed to have had just a sliver of time with Craig, in the form of some messages, e-mails, a poem and two tattoos.

Embrace the memories, the words, the experiences. Embrace them and treasure them. They are what sustain us. They give us strength and hope. They make it possible to go on.

Thursday, May 07, 2009

New Train of Thought - Abraham Lincoln


"If we could know where we are and whither we are tending, we could
better judge what to do and how to do it"

---Abraham Lincoln (1809-1865), "House Divided" Speech, 1858

First spotted on the 2 train, Brooklyn-bound, May 7, 2009


Wednesday, May 06, 2009

Bookpeeping on the D Train

In my post-National Poetry Month haze, I did a little bookpeeping on
the subway this morning. For those of you not familiar with this
feature, it's just a list of books I see people reading at a moment in
time.

The Deadalus Book of French Horror: The 19th Century. (Being read by a
red-haired, be-spectacled, pony-tailed, wild-haired, bearded and
side-burned commuter)

Civil Rights and the Presidency by Hugh Graham.

Finishing Touches by Deanna Kizis

Box Ovens and Box Oven Cooking. Technically not a book, but an article
of undetermined origin that had been copied. The title was compelling.

Two people next to one another doing today's Sudoku in the New York Post.

2 Chinese-language newspapers.

The New York Daily News.

Interpreter of Maladies by Jhumpa Lahiri.

The New York Times.

Chad Kultgen's The Lie

************************

--
Sent from my mobile device

Thursday, April 30, 2009

Craig Arnold Needs Our Help

Craig Arnold, whose poem was featured just last Friday here, has gone missing on an isolated island in Japan.

He needs our help. The Japanese authorities are close to calling off the search, and we need to do what we can by contacting our elected officials in Washington to put pressure on the Japanese government to not give up on finding Craig.

There's more info here.

Wrapping Up National Poetry Month

"Alas, I've done the uninkable"
-Paul Muldoon, February 3, 2009
That was Mr. Muldoon's response to my inquiry, in January, if he was tattooed. I've been wanting to include that somewhere this month, and finally found the spot. Thank you, Mr. Muldoon.

As I wrap up National Poetry Month here on Tattoosday and BillyBlog, it all seems a bit unreal. I spent a good quarter of the year, since mid-January, assembling the host of inked poets that have blessed us with their tattoos over the last month.

And there is more to come. There's a dozen or so poets who expressed interest, but never came through with photos. I continue to receive submissions from poets who have wanted to share, acknowledging that the deadline has passed.

I invite all of you who may have just been checking in on the poets' tattoos to return and visit often. Tattoosday is dedicated to presenting the most interesting tattoos it can find on the streets of New York. Note that I say "interesting," rather than "best". For, sometimes, a simple tattoo is anything but- the story beneath the layer of skin that the ink permeates is often more fascinating than the design itself. I want to thank everyone who helped contribute to the success of the Tattooed Poets Project.

First and foremost, Stacey Harwood at the Best American Poetry blog. Stacey was enthusiastic about the concept from the get-go, and her call for submissions on the BAP blog was a sign of legitimacy that I'm sure convinced many poets that the project was worthwhile and above-board. Her inclusion of Tattoosday on the BAP blog was a blessing, and the bit of html code that Stacey taught me will continue to be helpful in the future. I thank Stacey from the bottom of my heart.

Extended from that, I also thank other poets affiliated with the BAP blog: David Lehman, who has been series editor of The Best American Poetry since it's inception in 1988, BAP correspondents Moira Egan and Jill Alexander Essbaum for their support and participation, and Dorianne Laux who, although uninked, set me on a meandering path, introducing me to tattooed
poets who, in turn, introduced me to more tattooed poets, and so forth, and so on.

And of course, I thank all of you, the readers. In the blogosphere, no one can hear you scream and the worst fear of a blogger is that his or her voice goes unheard. Your comments, e-mails, submissions, and even your votes were truly appreciated.

April was our best month ever, in terms of traffic. As of this writing, we are on pace to eclipse the 25,000 hit mark for the month. I offer my thanks to everyone who has been kind enough to stop by.

Sincerely,


Bill Cohen

And now, the final tattooed poet for the month! Enjoy.....

The Tattooed Poet's Series, Day 30: Joy Harjo

Today's poem is from Joy Harjo:

Equinox
by Joy Harjo

I must keep from breaking into the story by force
for if I do I will find myself with a war club in my hand
and the smoke of grief staggering toward the sun,
your nation dead beside you.

I keep walking away though it has been an eternity
and from each drop of blood
springs up sons and daughters, trees,
a mountain of sorrows, of songs.

I tell you this from the dusk of a small city in the north
not far from the birthplace of cars and industry.
Geese are returning to mate and crocuses have
broken through the frozen earth.

Soon they will come for me and I will make my stand
before the jury of destiny. Yes, I will answer in the clatter
of the new world, I have broken my addiction to war
and desire. Yes, I will reply, I have buried the dead

and made songs of the blood, the marrow.

Joy Harjo
Joy Harjo was born in Tulsa, Oklahoma, in 1951. Her books of poetry include How We Became Human: New and Selected Poems (W.W. Norton & Co., 2002); A Map to the Next World: Poems (2000); The Woman Who Fell From the Sky (1994), which received the Oklahoma Book Arts Award; In Mad Love and War (1990), which received an American Book Award and the Delmore Schwartz Memorial Award; Secrets from the Center of the World (1989); She Had Some Horses (1983); and What Moon Drove Me to This? (1979). She also performs her poetry and plays saxophone with her band, Poetic Justice. Her many honors include The American Indian Distinguished Achievement in the Arts Award, the Josephine Miles Poetry Award, the Mountains and Plains Booksellers Award, the William Carlos Williams Award, and fellowships from the Arizona Commission on the Arts, the Witter Bynner Foundation, and the National Endowment for the Arts. She lives in Hawaii.

Thanks to Joy for participating in the Tattooed Poets Series! Check out one of her tattoos here.

Wednesday, April 29, 2009

The Tattooed Poet's Series, Day 29: Eileen Myles

Today's poem is from Eileen Myles:

On Vine



I was looking
at the chandelier
do you
feel that
way she
asked
I was driving
through
Los Angeles
getting
some help
I didn't
know
Pema Chodrun
was a girl
People
sounded
nuts

airing my
thoughts
She had a
sign

I'm hungry
I'm homeless
with a really
pretty sun

She hadn't
asked
for anything
but I gave
her five
and that
felt great
I thought
women are
a bunch
of idiots
but that's
what I
am are U
one

I don't count
on what
I am
she
said

and that
chandelier
is more
light

than
any one
else


Eileen Myles is among the ranks of the officially restless, a poet (Sorry, Tree) who writes fiction (Chelsea Girls, Cool for You) and an essayist whose The Importance of Being Iceland, for which she received a Warhol/Creative Capital grant will come out in July, 09 from Semiotext(e)/MIT. She lives in New York.

Please head over to Tattoosday to see one of her tattoos here.

A gracious thank you to Eileen for sharing her work with us here on BillyBlog.

Tuesday, April 28, 2009

The Tattooed Poet's Series, Day 28 (part 2): Meredith Sugarman

As I explained over on Tattoosday, we had a surplus of poems from tattooed poets, so I've doubled up and made it a "Two-for -Tattoosday". Today's second poem is from Meredith Sugarman:

Edelweiss (to my mother)


You sit in grandmother's

Oak rocking chair:

Crumpled hands resting in

well worn wooden grooves-

The sway of your light blue,

Sweat stained nightgown

Lapping at the sagging skin

Covering your calves.

The room, a cave of linoleum and

Damp musky air is dim,

The only light that gently radiates

Is from a collection of dirty worn potholders

That I thumb between

my long fingers and rough palms.

I breathe the thick air,

Taste the sickness sour on my tongue

And look back at the waves gently

Lapping against your bones.

You turn, smile slightly sweetly,

A look that signals a burst of lucidity-

I whimper a shouting whisper:

"I love you, but I cannot be your friend."

You nod, register and the air grows thick again.

I cup your sharp jawbone,

Clench a hand that once swaddled me,

Whisper into an ear once tuned to my cries:

"I forgive you"

The cave has become stagnant-

The air unbearable as

I stand behind you like

A guardian of all things unsaid:

Your mouth parts, I reach down and

Suddenly your mouth is gaping wider and wider:

Jaw unhinging and your skull opening

Like the cherished music boxes

you bought me as a child;

The stench of rotten meat fills the thick air:

I am awake.



Meredith Sugarman was raised in a small town in north Louisiana. It wasn't until she moved to New Orleans when she was 18 that she found a city to call home. After her mother disappeared due to a drug addiction, Meredith moved to New York four years ago in search of a new home. She now resides in Brooklyn with her pug, Piggy.

See a tattoo inspired by her mother over on Tattoosday here.

Thanks to Meredith for contributing to this project!

The Tattooed Poet's Series, Day 28 (part 1): Ruth Kohtz

Today's poem, "Phosphorous," comes to us from Ruth Kohtz, in the form of a video:



Ruth is a writer who performs regularly in Twin Cities' poetry slams, readings, and open mics. She studied writing at the Jack Kerouac School of Disembodied Poetics in 2006. Her work has appeared in college literary magazines, random blogs, and in the bathroom of the Uptowner on Grand Avenue in St. Paul MN.

Thanks to Ruth for her contribution! Head over to Tattoosday to see one of her tattoos.

Monday, April 27, 2009

The Tattooed Poet's Series, Day 27: William Dickenson Cohen

I'm going to be a greedy little blogger today and share one of my own poems (and one of my tattoos). The following poem takes the form of a sestina (clink link to see what makes a sestina). A hearty thank you to Doriane Laux for the advice and encouragement in publishing this here.


MAIDEN SESTINA


This is my maiden sestina, an initial attempt

At the celebrated form. Instead of pencil or ink,

I compose on a glowing screen. Two curious angels

Watch over me as I write, guiding my trembling hands

As they type. I pray for the steadiness of a tattoo

Artist, filling the flesh with a myriad of color.


Of course, my words are shaded black and white, not color,

And like any awkward apprentice’s nervous attempt

At needling a sketchy, rudimentary tattoo,

I try to keep it simple, hardly complicated ink.

My fingers blur as they strike the keyboard. I use my hands

To breathe my song, channeling the voices of the Angels.


Not that I claim to be a spokesman for the Angels.

My ego does not allow such nonsense. The bright color

Of my embarrassment flushes my face, tinges my hands

As I continue to sing my sestina, as I tempt

the words to form lines, the lines to form stanzas, the black ink

Jumping off of the page, “popping,” they say, like a tattoo


Glimmering on the flesh, hovering over skin. That, too,

Is the work of buzzing artists and guardian angels.

It takes a steady hand and an exquisite eye to ink

The skin, to fill a fleshy canvas with vibrant color.

I panic seeing my sweaty palms making an attempt

At art, transcendent. I could never trust my bumbling hands


To alter the landscape of another man. When one hands

The body over to an artist as they prepare to tattoo,

It is an intimacy, a leap of faith, as they tempt

the tingling nerves, touching skin, mating curves with angles,

no easy task when each canvas is a different color,

each shade an alternate universe absorbing the ink.


I marvel at the multitudes of passers-by with ink

Decorating arms and legs, necks and backs, breasts, feet and hands

Of the painted – residents, tourists, all races, colors.

I cannot draw a fig. I only write about tattoos-

Whether they be snakes, skulls, dragons, butterflies, or angels.

The very least that I can do is offer this attempt.


I tempt Fate with this, my maiden sestina, from thought to cursor to ink.

I may not possess the gift of the angels, or an artist’s steady hands,

But in every tattoo, I see poetry. In every poem, color.


William Dickenson Cohen, known more commonly as Bill Cohen, is a Hawaii-raised, L.A.-educated, Brooklyn-acclimated blogger and poet who feels awkward writing his own bio for his own blog.

He was most prolific poetically in the 1990's, when he had several dozen poems published in numerous small press magazines, including Atom Mind, Pudding, Lilliput Review, The Rockford Review and paperplates. One of his poems was included in the anthology Essential Love.

Please check out one of his tattoos here.

Sunday, April 26, 2009

The Tattooed Poet's Series, Day 26: Claire Askew

Today's poem comes to us from Scotland and the poet Claire Askew:

Proof

He asked to see some ID,
and I wondered just exactly
what he'd accept. If I offered up
my thumb-print's small maze,
or the mark left years ago
by a saw’s stray blade,
would he believe it was me?

I could shirk off a sleeve to reveal
the slim lines of my lion tattoo, or leave
a bite-mark, uniquely mine,
in the cold, hard bank of the bar.
Surely he'd know by the backs
of my knees – their sinewy curve –

or the cool, low chime of my speech?

I could easily reel off my five
favourite records (in the club
or at home) in a half-second;
hew my most loved book's synopsis
out of the air. For him, would I trip
out my blood-type, my birthplace?
The ten-digit code to my building's front door?

Turned away from his door,
I walked home through the closes –
the meaningless walls
and the mauve smoke of dusk.
I was hem-swish and footsteps,
a mind’s quiet song – more heart
than any photo-card could hold.


Claire Askew was born in 1986 and lives in Edinburgh, Scotland. Her work has appeared or is forthcoming in The Edinburgh Review, Poetry Scotland, Textualities and The Cadaverine. She is the Editor in Chief of literary magazine Read This (www.readthismagazine.co.uk), and Read This Press (www.readthispress.com), a poetry pamphlet micropress. She also runs One Night Stanzas (www.onenightstanzas.com), an advice blog for those new to the world of poetry. She has an MA in English Literature from the University of Edinburgh and is due to complete their MSc course in Creative Writing this Fall. She is a lecturer in English at Edinburgh's Telford College, and her first pamphlet of poems is due from Red Squirrel Press this year.

Thanks to Claire for sharing her poem with us here on BillyBlog. Head over to Tattoosday to see her lovely first tattoo here.

Saturday, April 25, 2009

The Tattooed Poet's Series, Day 25: Rachel McKibbens

Today's poem is from Rachel McKibbens:

instead of a note, a tiny black box

I dreamt you became an airplane; miniature windows
lined the left and right side of your torso
with small heads peeking out of them.
Some of the people waved. One man blew me a kiss.
Halfway through the dream, it became our wedding.
The arms of your tuxedo removed to make room
for your wingspan. I fed you cake through your propellors.

When I woke up, I half-wished you were going to surprise me
with tickets to Costa Rica. Or news that you were being transferred
to the main offices in Decatur. I didn't expect to find
your side of the bed engulfed in flames, a herd of fire engines
circling the hole in the mattress.
I could not have imagined the tiny island
that surfaced near the headboard later that night,
the bodies of all your ex-lovers
floating off in the distance.

Rachel McKibbens resides in Rochester, NY. She has three tattoos of Ramona Quimby. Her poems have been published in Wicked Alice, Frigg Magazine, World Literature Today and The New York Quarterly. Her first full-length book of poetry, Pink Elephant, is forthcoming on Cypher Books (Fall 2009).


Thanks to Rachel for sharing her poem with us. Now go to Tattoosday and see her cool, knuckle tattoos here.